Chat room for hook up leeds

“She sat there in her bra and pants and we told her we were a huge fan of hers and she told us she was a huge fan of ours as well,” says Susan Ann Sulley, who has never been a waitress in a cocktail bar but has been a member of the League since Martyn Ware and Ian Craig Marsh left the band in 1980 to form Heaven 17.“I’m not star-struck by many people and I don’t hero-worship anyone, but she was lovely.” But not surprisingly for a group who were famously described by David Bowie in 1979 as “the sound of the future”, and indeed the group was once called The Future, The Human League have never been about resting on their laurels or relying on past glories to see them through.Now the dubstep generation – notably, the acclaimed Darkstar, who cover the League’s 1982 B-side ‘You Remind Me Of Gold’ on their current album, North – have begun to pay homage to the original sound of Sheffield.But they’re about more than esoteric infiltration – there has been mainstream penetration, too, commensurate with a band who gave us the greatest ever Christmas Number 1 single with 1981/2’s ‘Don’t You Want Me’, who have had four Top 10 albums and eight Top 10 singles in the UK as well as two US Number 1 singles and sold 20 million records worldwide: the most lauded TV program of recent times, time-travel saga Ashes To Ashes, based one of its main characters on Joanne Catherall, while the mighty Philip Oakey appeared in a recent episode of Top Gear at the personal behest of Jeremy Clarkson who regularly name-checks the League in his newspaper column.Then there are the ‘L’ girls, the new generation of synth-driven female pop artists, who have got in on the League-adoring act: La Roux is a known admirer of the electro pioneers, while Little Boots is such a fan she requested Philip Oakey’s input on her debut album.Even Lady Gaga professed to be a devotee when she met them recently; they had adjacent dressing rooms at the ‘V’ Festival. In fact, they’re probably more highly regarded in 2011 than they were in 1981 when they released their landmark album Dare!They’re used to everyone from Madonna to Moby, Pet Shop Boys to Robbie Williams, citing them as an influence.

“We wanted it to have a unified feel, rather than going from one style to another”.

Credo’s style is a refinement of the approach adopted by The Human League in 1980-1 when they took the revolutionary decision to employ commercial tactics to inveigle experimental art-school ideas into the mainstream.

Love Action, Open Your Heart, Sound Of The Crowd, Don’t You Want Me, Do Or Die, Hard Times, The Things That Dreams Are Made Of – these love, or anti-love, songs and anthems for dispossessed teens with their shiny production and hummable melodies, given added momentum by a series of menacing synth-bass riffs and riveting electronic pulse-beats, all presented in that Vogue-magazine-ish way via the artwork for Dare!

“We made the decision to not work with Sheffield musicians in case we fell out or something,” says Susan.

Laughs Joanne: “We just didn’t want anyone in Sheffield finding out how horrible we are!

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