Dating fender drri by serial number

These units look, and apparently sound, just like the Schumacher-made units so it’s easy to overlook that “831” code.

Working at FMI – I was able to interview a fellow (who wishes to remain anonymous) who worked at Fender in 1972-73 in the amp department.

Also note the vertical black lines on the control panel (found on earliest silverface amps) and the large ceramic power resistors coming off the power tube sockets which indicates the AB568 circuit. But really, these cabs were large because they were of a “special design” that “greatly improves tone and volume without distortion, and permits optimum performance of the speakers.” At least that’s the reason according to the ’69 catalog.

I have to wonder how often Fender used the SPEC check box and what features a “special” amp or cabinet would have?!A 1957 tweed Vibrolux was reported with a tube chart printed with circuit “5E3” (tweed Deluxe) instead of the correct 5F11 (see photo).Clearly Fender wasn’t afraid to use incorrect parts when they were in a bind. The 5G12 Concert is the earliest version from very late 1959 and early 1960 so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period.Of course I tended to hurry more when they were there, and I would fumble more, too.” Another really interesting fact was that he recalled that the eyelet boards were loaded/wired/soldered in Mexico!“I remember the circuit boards were pre-made, from Mexico, easy to screw into the chassis. When we had filled our cart we'd wheel it over to the Chicano chicks.

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